I fell in love with speculative fiction in high school (1967) when I found LOTR collecting dust on a library shelf in San Marcos, Texas. I majored in philosophy in college, which required a high degree of speculative imagination. Some might call my philosophizing bullshit, but seriously, it’s the only academic field that takes zombies seriously. I taught visual and multimedia design at Austin Community College, helping students commit their imaginations to realized projects. Love in the Ruins inspired me to write three speculative novels and dozens of published short stories.
I read this book every year. In my opinion, Walker Percy, along with Flannery O’Connor, is the premiere southern novelist of the last half of the 20th Century. I consider it one of the finest novels written and an example of the plotting, character development, use of language, and religious parody to which young novelists should aspire.
Percy’s novel blends Southern Gothic, science fiction, and comedy to create a world in which the racial divide in New Orleans blossoms into an apocalypse with hilarious and unpredictable results.
A pair of profound dystopian novels from the “brilliantly breathtaking” New York Times–bestselling and National Book Award–winning author of The Moviegoer (The New York Times Book Review).
Winner of the National Book Award for The Moviegoer, the “dazzlingly gifted” Southern philosophical author Walker Percy wrote two vividly imagined satirical novels of America’s future featuring deeply flawed psychiatrist and spiritual seeker Tom More (USA Today). Love in the Ruins is “a great adventure . . . so outrageous and so real, one is left speechless” (Chicago Sun-Times), and its sequel The Thanatos Syndrome “shimmers with intelligence and verve” (Newsday).
I’ve reread this book almost as many times as Love in the Ruins. Although the book isn’t as well-known as some of the others I’m recommending, the title’s appropriate because reading these pages walloped my brain.
The novel within a novel written by a character who escapes from an asylum combines conspiracies, mind-control, flying sting rays, doppelgangers, and a delicious writing style. What keeps me engrossed is the love Spenser shows for his characters and his ability to craft a complex storyline from what is basically a fairy tale.
Harry Gainesborough wrote a children's story called Zod Wallop. And then his daughter died. Now Raymond Story, a patient at Harwood Psychiatric Hospital and Harry's biggest fan, has escaped--to find Harry in his remote cabin. Raymond is convinced that the people, creatures, and places of Zod Wallop are real. And as events transpire, Harry begins to wonder if Raymond is right.
Twelve-year-old identical twins Ellie and Kat accidentally trigger their physicist mom’s unfinished time machine, launching themselves into a high-stakes adventure in 1970 Chicago. If they learn how to join forces and keep time travel out of the wrong hands, they might be able find a way home. Ellie’s gymnastics and…
The only reason I don’t list Love in the Ruins as my favorite novel is because the shadow of this book looms large over every speculative novel I read.
Both books are extraordinarily funny, but Love in the Ruins has become more of a comfy read, while I still find Gravity’s Rainbow complex and challenging. It’s a cross between slapstick and mind f*ck. I would issue a trigger alert for readers who find occasional perverse sex and violence uncomfortable, but I personally believe reading uncomfortable books can make us grow into better readers and better writers.
Hailed by many as the major experimental nov el of the post-war period, Gravity''s Rainbow is a bizarre co mic masterpiece in which linguistic virtuosity creates a who le other world. '
This is another read-again novel, an ingenious plot device wrapped in an urban fantasy that sends up class and racial divides.
I couldn’t resist the philosophical premise Whitehead pitched: elevator inspectors at war over classic mechanical repair versus repair by holistic intuition. It reminded me of nights spent in my college dorm room, getting high with my friends and imagining alternate universes.
As with the other books, I wasn’t only moved by the speculative elements but also by the way Whitehead weaves humor and irony into the storyline. For once, I didn’t see the plot twist coming—at least the first time I read it.
'A thrilling blend of noir and fantasy.'Guardian. In an unnamed city - a hardboiled pre-Civil Rights New York sort of city -heroine Lila Mae has succeeded in becoming the very first Black female elevator inspector. In Whitehead's darkly comic otherworld, this is a job imbued with an almost mystical significance. But the illustrious Department of Elevator Inspectors is in crisis, bitterly divided between the Empiricists (check the machinery) and the Intuitionists (tune in to the vibes). Lila is an Intuitionist and so much better at her job than anyone else that surely it must be those 'good-old-boy' Empiricists who have…
A witchy paranormal cozy mystery told through the eyes of a fiercely clever (and undeniably fabulous) feline familiar.
I’m Juno. Snow-white fur, sharp-witted, and currently stuck working magical animal control in the enchanted town of Crimson Cove. My witch, Zandra Crypt, and I only came here to find her missing…
Okay, I’m a big fan of Lovecraftian lore, but who needs me to recommend Lovecraft? I might as well recommend White Castle to stoners.
While this book (which was also an HBO series) isn’t as funny as Ruff’s Sewer, Gas, and Electric (a wonderful spoof of Atlas Shrugged), I reread it after watching the series and found it as thrilling and exciting as the first read. It plays on science fiction as well as horror, and the chapter depicting Hypolita Freeman’s discovery of a portal to other universes in an observatory has haunted me since I first read it.
I’ve never read a book that weaves horror and science fiction so seamlessly. (Note: I love the irony of writing a book about a closely-knit black family tackling the horrors inspired by the openly racist Lovecraft.)
Chicago, 1954. When his father Montrose goes missing, 22-year-old Army veteran Atticus Turner embarks on a road trip to New England to find him, accompanied by his Uncle George - publisher of The Safe Negro Travel Guide - and his childhood friend Letitia. On their journey to the manor of Mr. Braithwhite - heir to the estate that owned one of Atticus's ancestors - they encounter both mundane terrors of white America and malevolent spirits that seem straight out of the weird tales George devours.
At the manor, Atticus discovers his father in chains, held prisoner by a secret cabal…
Imagine a novel that pits Skynet against Inspector Clouseau. In my book, Detective Bob, a galactically inept inspector, tackles the world's most elusive AI. Despite being dismissed from the case, Bobs resolves to find missing programmer and internet porn pinup Alyson Sweetcheeks.
Before Bob cracks the case, he cracks the city, unleashing an all-out war between a tech conglomerate, a covert cyber gang, the mob, and a malevolent time-travelling intelligence bent on world domination.
“Rowdy” Randy Cox, a woman staring down the barrel of retirement, is a curmudgeonly blue-collar butch lesbian who has been single for twenty years and is trying to date again.
At the end of a long, exhausting shift, Randy finds her supervisor, Bryant, pinned and near death at the warehouse…